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In her autobiography, she recalls that once as a young girl she noticed water being hawked at the railway platform as Hindu water and Muslim water. This gets reflected in her literature and personal life much later and throughout. She asked difficult questions and challenged those things that everyone accepted as the norm.
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Along with religious learning, she also inherited her love for literature from him.Īmrita was born a rebel, a questioner of norms, a devil’s advocate of sorts. The environment in her early home was deeply spiritual her father was a pracharak/Sikh religious preacher as well. Her father was a school teacher by profession but is also believed to have been a small-time poet. She was the only child of Kartar Singh and Raj Kaur, a Sikh couple who named her Amrita Kaur in 1919, in Gujranwala, Punjab in erstwhile undivided British India, now Pakistan. This one incident probably sums up this prolific and ground-breaking writer’s philosophy of life – “ My work/my life will be my answer“.
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She remembered the joke and called her autobiography Raseedi Ticket (The Revenue Stamp). The famous writer and journalist Khushwant Singh had once told Amrita Pritam that the whole story of her life was so inconsequential and brief that it could be easily contained within the small space at the back of a revenue stamp. Subject to change without notice from or liability to Journal of Critical Reviews.Amrita Pritam was an iconic Indian writer, whose works as well as life, were a bold statement that redefined not just the Punjabi literary canon but also found new words and images for how Indian women perceived themselves.
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Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from the publisher or the author. This is an open access journal which means that all content is freely available without charge to the user or his/her institution. Pori Kakoti (2020) A BRIEF ANALYSIS OF AMRITA PRITAM’S AUTOBIOGRAPHY “THE REVENUE STAMP”. "A BRIEF ANALYSIS OF AMRITA PRITAM’S AUTOBIOGRAPHY “THE REVENUE STAMP”." Journal of Critical Reviews 7.6 (2020), 2495-2497. MLA (The Modern Language Association) Styleĭr. "A BRIEF ANALYSIS OF AMRITA PRITAM’S AUTOBIOGRAPHY “THE REVENUE STAMP”." Journal of Critical Reviews 7 (2020), 2495-2497. A BRIEF ANALYSIS OF AMRITA PRITAM’S AUTOBIOGRAPHY “THE REVENUE STAMP”. Key words: Spirituality, Autobiography, God, Courage, fearless.ĭr. In this discussion I want to present a brief opinion on Amrita Pritam‟s autobiography Rasidi Ticket (The She dauntlessly described the incidents of her life to the Revenue Stamp) that was published in the year 1976. Amrita Pritam wrote about sixty five years of her life in her autobiography book Rasidi Ticket (The These emotions were reproduced in most of Own opinions, her sensitiveness and to speak out against the social evils. She emerged as a vigorous writer as she was never scared to articulate her She wrote approximately Twenty five novels. In both these poems oneĬan sense spirituality.Subsequently she wrote „Zinda Jiban‟ (1909), „Treldhote Phul‟ (1941), „O Giton Walia‟ At a very youngĪge her deep thoughts were reflected in „Thandia Kiran‟ (1935) and „Amrit Lehro‟ (1936). She was a poet, novelist as well as an essayist. Abstract Amrita Pritam is a prominent female Punjabi writer.